Discussion in 'Main Forum' started by Amy, Monday, July 25, 2011.
What are the major social issues represented in the paintings? How are these issues similar to those encountered in the literature of the time? What dominant themes or styles emerge in this exhibition? Traditionally artists created paintings and sculptures to revealand sometimes concealcertain aspects of the portrait sitters distinct identity. One hundred years later, the universitys art collection has grown to nearly 17,000 works housed in a stateoftheart museum. Admission is free. How does this exhibition examine the idea of what it means to be human in todays society? What commonalities seem to be shared by the global community? Today, many artists are concerned with order viagra in canada online ways to visually represent the true self, which springs from an amalgamation of influences that include daily rituals, cultural norms, religious practices, and social pressures, using a variety of media. The exhibition will look at three order viagra in canada online themes evident in the work of these artists that contribute to the formation of our individual identities: rituals; facades, mirrors, and masks; and the real self. How do these social concerns continue to have relevance today regarding such issues as homelessness, the difficulties of acquiring bank credit and loans, shifting family dynamics, the exploitation of women, environmental issues, and an interest in travel? Why do you think the highly narrative style of the paintings fell out of favor at the beginning of the 20th century? How can the process of metaphorical seeing enhance ones ability to recognize eternal truths? How does this exhibition highlight and punctuate the individual nature of spiritual interpretation and understanding? How do both ritual and social identification influence our sense of self? What contemporary social networking mechanisms have undermined personal reallife interactions? What characteristics might have been rejected by early modernists? How might that intended audience have shaped the selection? How have these same networks contributed to social interfacing? What religious literary sources are mined in this exhibition? How have art collections been amased throughout history? What were the political/social ramifications of these collections?
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